When the bands and polemicists of Punk Rock created their Year Zero circa 1977, they ushered in a new age of creative play in music. The 20th century had already gone through a Jazz Age from the roaring 20s through to the late 50s, when it was supplanted by Elvis et al (artists who the Punks’ frenzy and danger ironically mirrored) and the new Rock Age.
When the Punks decided it was time to wash the past away, their theories (if not always their practice) opened rock music up – a dam-busting which gave birth to Punk’s obsessively creative monster children: New Wave and Post-Rock. Musically it was the Miasma Age, where anything goes and the only artists sticking to the bindings of a particular genre were those who did so out of purism, zealotry or blind love.
Melbourne guitarist Tim Willis and his band, The End, have as much rock going on in their jazz as jazz in their rock – and who cares anyway? In the Miasma Age, this is what all music should sound like. The End’s second album, Keep Your Chin Up is eight tracks of sublimely creative music that packs a funky rock-edged punch.
Openers ‘Chers Amis’ and ‘Save Me From The Rednecks’ are a pair of great rockers – the first brisk with a tautly unfolding jazz solo from Willis, the second a muggy half-time skank – that have everything we knew and loved from their 2011 debut album, The End (see TheOrangePress review here): the tough rhythm section of double-bassist Gareth Hill and drummer Nick Martyn, the unusual twinning of the alto and tenor saxes of Jon Crompton and John Felstead, and the heavy powerchords/fleet jazz lines of Tim Willis.
But it is the third piece, the evocatively named homage to Willis’s partner ‘Lying On Her Bed Listening To Steve Reich’ that shows how far the band has evolved in the short time between The End and Keep Your Chin Up. The piece is built on a lattice of stabbing eighth-notes that fade in and out, leading to a remarkable middle section where the band passes these eighth-notes around almost mechanically, yet to extraordinary effect – mirroring the music of minimalist maestro Reich. It’s jazz, Jim, but not as you know it.
Extra horn player Jack Beeche is brought in for the meshed sax harmonies of Jon Crompton’s piece ‘The Rose’ which rolls along on a heavy blues-boogie shuffle over which Willis solos entirely unhinged but in complete control. Title track ‘Keep Your Chin Up’ has a strutting swagger that reflects its positive title. (Willis dedicates the album to his sister’s courage during her battle with breast cancer).
The drive and looped melody of ‘It’ll Be Ok… No It Won’t’ calls to mind 70s proggers Van Der Graaf Generator more than it calls to mind any Jazz artist I can think of. And why not? Such is the nature of Jazz in the Miasma Age – and this is one of the best bands and albums of this Age.
Tim Willis and The End are launching Keep Your Chin Up at Bennetts Lane Jazz Club, Melbourne on Thursday 14 June. Details are at www.bennettslane.com
The End’s website is here – www.timwillis.com.au
Prior to publishing this review, TheOrangePress asked Tim Willis for his top 5 ROCK albums. Here are his responses:
1. Jimi Hendrix – Axis Bold As love
I love this album cause Jimi plays his arse off on every track and it has some of his most beautiful and most rockin’ tunes. I love albums where you can listen to every tune and not want to skip through it, this is one of those. It sounds so raw and energetic, it’s still so fresh and exciting!
2. The Beatles – Abbey Road
Fantastic songs and I love the way the album flows from one song to the next. I love the lesser known tunes on this album such as I want you (She’s so Heavy) and you never give me your money.
3. Rage Against The Machine – Rage Against The Machine
This album made me want to join the young socialists and burn down the local Liberal Party member’s office. It rocks out hard and has some fantastic grooves. It’s so angry and you can feel all that in the music.
4. Radiohead – OK Computer
Once again, It’s an album where you can listen to the whole thing without skipping through tracks…every song is gold and has it’s own story to tell. The overall mood is one of melancholy and loneliness, it’s beautiful.
5. Faith No More – King For A Day Fool For A Lifetime
I love this band because they are impossible to categorize and every-time they do something new it’s different and out of left field. Standout moments on this album are Richochet, Evidence, Cuckoo for Ca Ca, Star A.D. and Just A Man. This Album rocks out hard and has something for everyone!